Recent Publications

Out Now

Shakespeare’s Lost Playhouse: Eleven Days at Newington Butts” [monograph review]. Shakespeare 14, no 1 (2018). DOI: 10.1080/17450918.2018.1447988.
The Hollow Crown’s ‘Richard III’: The Affective Failure of Direct Address” [performance review]. In In The Glassy Margents, edited by T.J. Moretti. Iona College, 2 January 2018.
"Shattering Hamlet's Mirror: Theatre and Reality" [monograph review]. The Journal of Dramatic Theory and Criticism 32, no. 1 (Fall 2017): 144 - 46.
"Super Troupers; or, Supplemented Playing before 1594." Shakespeare Studies 45 (2017): 77 - 86.
"Genre and the Elizabethan Troupe." A blog for Before Shakespeare: The Beginnings of London Commercial Theatre, 1565-1595, edited by Callan Davies, Andy Kesson, and Lucy Munro. 11 May 2017.
"A Race to the Roof: Cosmetics and Contemporary Histories in the Elizabethan Playhouse, 1592 - 1596." Shakespeare Bulletin 34, no. 2 (Summer 2016): 193 - 217.
Winner, 2017 Barbara K. Palmer Award for Best New Essay in Early Drama Archival Research sponsored by the Medieval and Renaissance Drama Society.
Winner, 2016 research prize sponsored by the Illinois Program for Research in the Humanities.


“#OthelloSyllabus: Mentoring Critical Race Engagement with Twitter.” Hybrid Pedagogy (2018): forthcoming.
"The Taming of the Shrew" [performance review]. Scene: The Journal of the Internet Shakespeare Editions 2 (2017): forthcoming.
"Romeo & Juliet / Layla & Majnun" [performance review]. Shakespeare Bulletin 36, no. 2 (Summer 2018): forthcoming.
"Pericles Wet" [performance review]. Shakespeare Bulletin 36, no. 3 (Fall 2018): commissioned, in preparation.
“O.P. in PDX: Tone, Trust, and First Folio technique.” In Practicing Shakespeare: Explorations from the Blackfriars Stage, edited by Robert Hornback and Jeanne McCarthy, commissioned chapter ms. Farleigh Dickinson Press, 2019.
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