Elizabeth E. Tavares, PhD

Shakespeare & Repertory

Research

A selection of forthcoming and recent publications. Vita here.

Forthcoming

“Cham’s Beard and Tartar’s Bow: Staging Mongolia after the Elizabethan Repertory,” Reprints and Revivals of Renaissance Drama, eds. Eoin Price and Harry Newman
“Dramatists, playing companies, and repertories,” Arden Research Handbook to Shakespeare and his Contemporaries, eds. Tom Rutter and Michelle M. Dowd (Bloomsbury)
“The Sun Tavern (The Sonne),” in The Map of Early Modern London, ed. Janelle Jenstad
“Matisse in the Playhouse,” Shakespeare Studies 47 (2019)

Recently

“Super Troupers; or, Supplemented Playing before 1594,” Shakespeare Studies 45 (2017): 77–86.
Genre and the Elizabethan Troupe,” Before Shakespeare: The Beginnings of London Commercial Theatre 1565–1595 blog, eds. Callan Davies, Andy Kesson, and Lucy Munro, 11 May 2017
“A Race to the Roof: Cosmetics and Contemporary Histories in the Elizabethan Playhouse, 1592–1596,” Shakespeare Bulletin 34, no. 2 (2016): 193–217

Reviews

Review of Romeo and Juliet (Oregon Shakespeare Festival 2018), Shakespeare Bulletin 37, no. 1 (2019): 141–45.
Fresh Eyes blog series on Teenage Dick (Artists Repertory Theatre 2019)
Review of Shakespeare’s Lost Playhouse: Eleven Days at Newington Butts by Laurie Johnson (Routledge 2017), Shakespeare 14, no. 2 (2018): 197–98
Review of Pericles Wet (Portland Shakespeare Project 2017), Shakespeare Bulletin 36, no. 3 (2018): 555–58.
Review of Romeo & Juliet / Layla & Majnun (Bag & Baggage 2017), Shakespeare Bulletin 36, no. 2 (2018): 340–45.
Stacks Image 180

Research Areas

  • Repertory Studies
  • Playing Companies
  • Theatre History & Economics
  • Shakespeare & Contemporaries
  • Digital Humanities & Curation
  • English Renaissance Literatures
  • Practice-based Research (PbR)
  • EcoDrama & Ecocriticism
  • Postcolonial & Critical Race Theory
  • Textual Editing & Criticism
Stacks Image 182